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Watch Nine People Bolt Out Of A Honda Civic After A Wreck. In California, the highways have special lanes for High Occupancy Vehicles (HOV). The definition of ‘high occupancy’ to ride in those lanes is two, the smallest possible plural number. A Miata could be an HOV.

The Californian idea of what is an HOV is soundly mocked by the existence of this car, a Honda Civic that, after a wreck, was found to have ninepassengers. The wreck happened around Leicester, in the East Midlands of England, where the crazily overloaded 2. UK- market Civic plowed into the back of a stopped Audi. I’m sure the wet- looking roads were a factor, along with the fact that the Civic was carrying about twice the usual maximum number of passengers. Not surprisingly for a car crammed full of people, something possibly less- than- legal may have been going on, since once the wreck happens eight passengers bolt away, with one more considerate passenger returning to let the ninth passenger out of the car’s hatchback. Leicester police are currently looking for the driver of the Civic, or, probably, any of the other eight passengers.

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Rembrandt - Wikipedia. Rembrandt van Rijn.

Born. Rembrant Harmenszoon van Rijn(1. July 1. 60. 6[1]Leiden, Dutch Republic (now the Netherlands)Died.

October 1. 66. 9(1. Amsterdam, Dutch Republic (now the Netherlands)Nationality.

Dutch. Education. Jacob van Swanenburg, Pieter Lastman. Known for. Painting, printmaking, drawing.

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Notable work. Self- portraits. The Anatomy Lesson of Dr. Nicolaes Tulp (1. Belshazzar's Feast (1. The Night Watch (1. Bathsheba at Her Bath (1.

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Syndics of the Drapers' Guild (1. The Hundred Guilder Print (etching, c. 1.

Movement. Dutch Golden Age. Baroque. Rembrandt Harmenszoon van Rijn (; [2]Dutch: [ˈrɛmbrɑnt ˈɦɑrmə(n)soːn vɑn ˈrɛin] ( listen); 1. July 1. 60. 6[1] – 4 October 1. Dutchdraughtsman, painter, and printmaker. Watch One False Move Putlocker. An innovative and prolific master in three media,[3] he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history.[4] Unlike most Dutch masters of the 1. Rembrandt's works depict a wide range of style and subject matter, from portraits and self- portraits to landscapes, genre scenes, allegorical and historical scenes, biblical and mythological themes as well as animal studies. His contributions to art came in a period of great wealth and cultural achievement that historians call the Dutch Golden Age, when Dutch art (especially Dutch painting), although in many ways antithetical to the Baroque style that dominated Europe, was extremely prolific and innovative, and gave rise to important new genres.

Like many artists of the Dutch Golden Age, such as Jan Vermeer of Delft, Rembrandt was also known as an avid art collector and dealer. Rembrandt never went abroad, but he was considerably influenced by the work of the Italian masters and Netherlandish artists who had studied in Italy, like Pieter Lastman, the Utrecht Caravaggists, and Flemish Baroque. Peter Paul Rubens. Having achieved youthful success as a portrait painter, Rembrandt's later years were marked by personal tragedy and financial hardships. Yet his etchings and paintings were popular throughout his lifetime, his reputation as an artist remained high,[5] and for twenty years he taught many important Dutch painters.[6]Rembrandt's portraits of his contemporaries, self- portraits and illustrations of scenes from the Bible are regarded as his greatest creative triumphs. His self- portraits form a unique and intimate biography, in which the artist surveyed himself without vanity and with the utmost sincerity.[4] Rembrandt's foremost contribution in the history of printmaking was his transformation of the etching process from a relatively new reproductive technique into a true art form, along with Jacques Callot.

His reputation as the greatest etcher in the history of the medium was established in his lifetime and never questioned since. Few of his paintings left the Dutch Republic whilst he lived, but his prints were circulated throughout Europe, and his wider reputation was initially based on them alone. In his works he exhibited knowledge of classical iconography, which he molded to fit the requirements of his own experience; thus, the depiction of a biblical scene was informed by Rembrandt's knowledge of the specific text, his assimilation of classical composition, and his observations of Amsterdam's Jewish population.[7] Because of his empathy for the human condition, he has been called "one of the great prophets of civilization".[8] The French sculptor Auguste Rodin said, "Compare me with Rembrandt! What sacrilege! With Rembrandt, the colossus of Art!

We should prostrate ourselves before Rembrandt and never compare anyone with him!"[9]Francisco Goya, often considered to be among the last of the Old Masters, said "I have had three masters: Nature, Velázquez, and Rembrandt."[1. Vincent van Gogh wrote, "Rembrandt goes so deep into the mysterious that he says things for which there are no words in any language. It is with justice that they call Rembrandt—magician—that's no easy occupation."[1. Rembrandt[1. 2] Harmenszoon van Rijn was born on 1.

July 1. 60. 6 in Leiden,[1] in the Dutch Republic, now the Netherlands. He was the ninth child born to Harmen Gerritszoon van Rijn and Neeltgen Willemsdochter van Zuijtbrouck.[1. His family was quite well- to- do; his father was a miller and his mother was a baker's daughter. Religion is a central theme in Rembrandt's paintings and the religiously fraught period in which he lived makes his faith a matter of interest. His mother was Roman Catholic, and his father belonged to the Dutch Reformed Church. While his work reveals deep Christian faith, there is no evidence that Rembrandt formally belonged to any church, although he had five of his children christened in Dutch Reformed churches in Amsterdam: four in the Oude Kerk (Old Church) and one, Titus, in the Zuiderkerk (Southern Church).[1.

As a boy he attended Latin school and was enrolled at the University of Leiden, although according to a contemporary he had a greater inclination towards painting; he was soon apprenticed to a Leiden history painter, Jacob van Swanenburgh, with whom he spent three years.[1. After a brief but important apprenticeship of six months with the painter Pieter Lastman in Amsterdam, Rembrandt stayed a few months with Jacob Pynas and then started his own workshop, though Simon van Leeuwen claimed that Joris van Schooten taught Rembrandt in Leiden.[1. Unlike many of his contemporaries who traveled to Italy as part of their artistic training, Rembrandt never left the Dutch Republic during his lifetime.[1. He opened a studio in Leiden in 1. Jan Lievens. In 1. Rembrandt began to accept students, among them Gerrit Dou in 1. In 1. 62. 9, Rembrandt was discovered by the statesman Constantijn Huygens (father of the Dutch mathematician and physicist Christiaan Huygens), who procured for Rembrandt important commissions from the court of The Hague.

As a result of this connection, Prince Frederik Hendrik continued to purchase paintings from Rembrandt until 1. At the end of 1. 63. Rembrandt moved to Amsterdam, then rapidly expanding as the new business capital of the Netherlands, and began to practice as a professional portraitist for the first time, with great success. He initially stayed with an art dealer, Hendrick van Uylenburgh, and in 1. Hendrick's cousin, Saskia van Uylenburgh.[2.

Saskia came from a good family: her father had been a lawyer and the burgemeester (mayor) of Leeuwarden. When Saskia, as the youngest daughter, became an orphan, she lived with an older sister in Het Bildt. Rembrandt and Saskia were married in the local church of St. Annaparochie without the presence of Rembrandt's relatives.[2.

In the same year, Rembrandt became a burgess of Amsterdam and a member of the local guild of painters. He also acquired a number of students, among them Ferdinand Bol and Govert Flinck.[2. In 1. 63. 5, Rembrandt and Saskia moved into their own house, renting in fashionable Nieuwe Doelenstraat. In 1. 63. 9 they moved to a prominent newly built house (now the Rembrandt House Museum) in the upscale 'Breestraat' (eng.: 'Broadway'), today known as Jodenbreestraat (Jodenbreestraat 4,1. NK Amsterdam- now) in what was becoming the Jewish quarter; then a young upcoming neighborhood. The mortgage to finance the 1. Rembrandt should easily have been able to pay the house off with his large income, but it appears his spending always kept pace with his income, and he may have made some unsuccessful investments.[2.

It was there that Rembrandt frequently sought his Jewish neighbors to model for his Old Testament scenes.[2. Although they were by now affluent, the couple suffered several personal setbacks; their son Rumbartus died two months after his birth in 1. Cornelia died at just three weeks of age in 1. In 1. 64. 0, they had a second daughter, also named Cornelia, who died after living barely over a month. Only their fourth child, Titus, who was born in 1.

Saskia died in 1. Titus's birth, probably from tuberculosis.